Mariano Andreu’s Costume and Set Designs for “Jota Aragonesa”

Authors

  • Dominic Holzapfel Holzapfel Andreu Archives (HAA)

DOI:

https://doi.org/10.56349/emblecat.186

Abstract

Glinka’s “Capriccio on the Jota Aragonesa” formed the basis of Michel Fokine’s ballet, “Jota Aragonesa” a revival of that which he had first produced back on the 29th of January 1916 at the Maryinsky Theatre in Petrograd, here using sets and costumes by the Russian designer, Alexandr Golovin (1863 – 1930).

René Blum had chosen Mariano Andreu to design the sets and costumes for this ballet in 1936.

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Author Biography

Dominic Holzapfel, Holzapfel Andreu Archives (HAA)

Head of the Holzapfel Andreu Archives (HAA)

References

Vente Pierre Bergé & Associés, Paris, 21st December 2006, lot. 191.

Leslie Norton, Léonide Massine and the 20th Century Ballet, pub. McFarland & Company, Inc., Jefferson North Carolina, and London 2004. Pp. 221 – 225.

Cyril W. Beaumont, Design for the Ballet, The Studio special winter Number for 1937.

The Guardian, 3rd November 1937, ‘Prince’s Theatre, “Ygrouchky” and “Aragonesa”’.

Merlyn Severin, Ballet in Action, John Lane & The Bodley Head, London 1938.

Toni Bentley, Lincoln Kirstein, “Costumes by Karinska”, Publisher: Abrams, Harry N., Inc., September 1995.

Le Populaire, 22. Année, no. 5907, 20th April 1939, p. 4.

Ce Soir: 23rd May 1939, 3. Année, no. 811, p. 4.

Garcia-Portugués, E., (2019), Mariano Andreu (1888-1978) , Biografía y catálogo razonado, ArsNostrum Edicions.

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Published

2021-09-11

How to Cite

Holzapfel, D. (2021). Mariano Andreu’s Costume and Set Designs for “Jota Aragonesa”. EMBLECAT, Estudis De La Imatge, Art I Societat, 1(10), pp. 225–234. https://doi.org/10.56349/emblecat.186

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Section

Review o Actualitat