Settanta Panini a Roma (1985), by Harald v Uccello

 An approach to Cesare Pavese’s work through a cinematographic itinerary

Authors

  • Mercè Alsina Jodar Grup d'Investigació AGI de la Universitat de Barcelona - Escola Elisava - Universitat Pompeu Fabra

Keywords:

muntatge, memòria, lloc, temps, montaje, memoria, lugar, tiempo, montage, memory, site, time

Abstract

This article analyses the film Settanta Panini a Rome (1985), by the Austrian director Harald v Uccello, and investigates the relations posed by the film with the thought of the Italian writer Cesare Pavese, through the scenes, the composition of the images and the construction of a route. The analysis studies different aspects of the fact of creating, aswell as the author, the generation of the thinking and the interpretation of the landscape. The article puts some thoughts of Pavese into dialogue with the scenes of the film, as well as exploring the idea of the path in the works of both authors.

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References

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Pavese, C. (1971), L’ofici de viure, Barcelona, Anagrama.

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Valle Morán, I. (2011) «Il confino di polizia de Cesare Pavese», Cuadernos de Filología Italiana 361, 2011, Volum Extraordinari, p. 355-367.

Baudrillard, J. (1972), The Political Economy of the Sign. Mark Poster (ed.), Selected Writings, http://www.humanities.uci.edu/mposter/books/Baudrillard,%20Jean%20-%20Selected%20Writings_ok.pdf , 17-11-2013.

Pavese, C. (1935), Carta a la seva germana Maria. http://salvatoreloleggio.blogspot.com.es/2013/06/dal-confino-di-brancaleone-cesare.html , 23-11-2013.

Uccello, Harald v. (director) (1985), Settanta Panini a Roma (Pel·lícula), Torino: HVU.

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Published

2015-12-31

How to Cite

Alsina Jodar, M. (2015). Settanta Panini a Roma (1985), by Harald v Uccello:  An approach to Cesare Pavese’s work through a cinematographic itinerary. EMBLECAT, Estudis De La Imatge, Art I Societat, (4), 109–122. Retrieved from https://publicacions.emblecat.com/EMBLECAT/article/view/82

Issue

Section

Arts Visuals i Sonores