Bachiacca, Michelangelo and the Teste Divine
two examples in the Gemäldegalerie, Berlin
Keywords:
Bachiacca, Miguel Ängel, Gemäldegalerie, presentation drawings, Miquel Ângel, MichelangeloAbstract
This paper analyses the relation of the so-called presentation drawings by Michelangelo to the work of sixteenth-century Florentine painter, Bachiacca. Taking the example of his two works in the Gemäldegalerie in Berlin, the assimilation of the drawings of Michelangelo and his own myth in these works is discussed. Similarly, through these two examples, the role of presentation drawings as elements for learning disegno for artists of the sixteenth century is studied.
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